Microcosmic God

burnbrightstaybright:

ttp://weheartit.com/entry/26978480

Reblogged from burnbrightstaybright

burnbrightstaybright:

ttp://weheartit.com/entry/26978480

Reblogged from roxiechrist

Reblogged from imvoltic

(Source: imvoltic)

Reblogged from foundyourhappyplace

(Source: foundyourhappyplace)

ckamaria:


This statute known as ‘Redemption Song’ is located at Emancipation Park in Kingston, Jamaica, which was constructed in July 2002 according to its website. The work is symbolic of the emancipation of Jamaicans from slavery in 1838. From what I’ve gathered, it was done by a Jamaican artist, Laura Facey Cooper, and was considered controversial by many Jamaicans because they believed it promoted nudity.  In addition to that, many of them were offended by the male statue’s nakedness, in particular, his penis size, and also that the sculptor was too ‘light-skinned’.
The dichotomy is that the opposition to the statue are prime examples of how the body can be freed easily, but freeing the mind requires more work, which causes us to question whether slavery has truly ended.  Those views about the ‘color’ of the sculptor & black nudity lends itself to an uneducated public on artistic concepts; and the deeply-embedded facets of white supremacy coupled with the erasure of African memory.
In many parts pre-colonial Africa, nudity wasn’t largely regarded as sexual but rather, a way to deal with humid conditions, however, when the slave traders arrived, they viewed the so-called rampant nudity as indicative of a savage sexual nature. Once enslaved in these foreign lands, African men & women were mentally reconditioned to accept a Westernized view of themselves & to embrace & idolize whiteness. This, of course, went on for centuries spanning several generations.
To that end, here we are, in the 21st century, dealing with a statue that’s suppose to be a tribute to freedom.  The sculptor’s vision of having the bodies rise from water reconnects to the African philosophy of the power of water with its ability to cleanse & renew.  The nakedness factors into the concept of freedom as both the man and woman gaze upwards to God, presenting themselves as vulnerable & in search of heavenly guidance.  For me, the statue is divine but I am almost certain that if a statue of this kind was done in the States, it may damn near send some twisted individuals into a certified tizzy. 

Reblogged from hahayou

ckamaria:

This statute known as ‘Redemption Song’ is located at Emancipation Park in Kingston, Jamaica, which was constructed in July 2002 according to its website. The work is symbolic of the emancipation of Jamaicans from slavery in 1838. From what I’ve gathered, it was done by a Jamaican artist, Laura Facey Cooper, and was considered controversial by many Jamaicans because they believed it promoted nudity.  In addition to that, many of them were offended by the male statue’s nakedness, in particular, his penis size, and also that the sculptor was too ‘light-skinned’.

The dichotomy is that the opposition to the statue are prime examples of how the body can be freed easily, but freeing the mind requires more work, which causes us to question whether slavery has truly ended.  Those views about the ‘color’ of the sculptor & black nudity lends itself to an uneducated public on artistic concepts; and the deeply-embedded facets of white supremacy coupled with the erasure of African memory.

In many parts pre-colonial Africa, nudity wasn’t largely regarded as sexual but rather, a way to deal with humid conditions, however, when the slave traders arrived, they viewed the so-called rampant nudity as indicative of a savage sexual nature. Once enslaved in these foreign lands, African men & women were mentally reconditioned to accept a Westernized view of themselves & to embrace & idolize whiteness. This, of course, went on for centuries spanning several generations.

To that end, here we are, in the 21st century, dealing with a statue that’s suppose to be a tribute to freedom.  The sculptor’s vision of having the bodies rise from water reconnects to the African philosophy of the power of water with its ability to cleanse & renew.  The nakedness factors into the concept of freedom as both the man and woman gaze upwards to God, presenting themselves as vulnerable & in search of heavenly guidance.  For me, the statue is divine but I am almost certain that if a statue of this kind was done in the States, it may damn near send some twisted individuals into a certified tizzy. 

Reblogged from liveabovewhatsbeyond

(Source: liveabovewhatsbeyond)

Reblogged from 04oureyesonly

(Source: thecwordmag)

Reblogged from affinityspace

(Source: affinityspace)

What my fame affords me
I will use to spread the light
that is caused by the book
that burns to clean the air
at night.

There are some
that would save
the book and others
that would write.

There are those
who would die
for it and soldiers
who would fight.

I have learned
of this book that burns
that it cannot be helped.

There are words
that will catch aflame
as others tend to melt.

There are phrases
soft turns of speech
that shake flesh to the bone.

There are ways
of our saying things
that shape truth into poems.

Or perhaps
they outline a shape
that is already there

like the face
of my sweet beloved
framed by unruly hair.

And these strands
are just words combined
to comb through with
your eyes.

They are wigs
over mountaintops

-the snow
that draws
the eyes.

They are there
when you see them not.

What man sees
his own heart?

He is drugged
and then put asleep
before he’s cut apart.

And procedures
like this only done
when arteries are clogged.

Spills and waste
down the mountainside
with forests cut and logged.

All the trees
now shaped
into books
and building-
blocks designed
will take shape
from the mountainside-

the forest of the mind.

And the mind is an active place
where climate will control
means of growth and the greenery
that springs up from the soul.

And the soul
it is like the soil
-as i am into u.

What begins
as a seed of thought
now manifests as true.

It takes time
for a rock to melt
-to decompose a corpse.

And the soil
is full rich with time
like mountains rich with quartz.

Full of charge.
Full of energy.

Full of nutrients and life
sucked from death
which is overturned
and risen to new heights.

Over time
life repeats itself-
the cycle of the wheel.

And the will
is a driving force
to feed, defend, and kill.

What it kills
takes a different shape
as consciousness transforms.

Laws emerge
to defend new life
and thus new crimes are born.

And what’s born
from a spinning wheel
is willed and welled
to shape.

Forms emerge
from the sculptors hand
nuanced by love and hate.

And the hate
is grown out of love
of comfort and control
and is shaped by the overgrowth
of fear/hope decomposed.

We compose
with creators hands
the music of the mind.

We choose words
like piano keys
to ease thought into chimes.

And we chime upon everything
and every sound we hear.

We diffuse
all times ticking bombs
to distill hope from fear.

And the hope
that we plant we tend.
We water, trim, and cut.

Like the grape
on its path to wine-

we smash beneath our strut.

And we strike chords with expertise.

We lean into each note.

We give time a new signature.

Small hand on big throat.

All the gun barrels
placed in mouths

all the tongues
fingers
parts

can account
for the silent times
where words
play no part.

Love is art
of the give and take
the build and break
the bends.

It is found in
a simple kiss

the laughing bliss
of friends.

And our friends
and our enemies
are much more
than they seem.

They are tall
booming beams
of light with their own
hopes and dreams.

We form teams-
nationalities-
taking sides
with our own.

We commit
to our fantasies
our prayers
and our poems.

And these poems
how they turn to dust
how they blossom with time.

They are like seeds
the farmer plants
with bare hands
in the mind.

And my mind
feels the brush of wind
takes strangers in
notes signs.

It is coaxed
by the pretty face
Egyptian lace
the kind.

And it broods
in it’s silent place.

And stirs
when she calls.

And it prays
for a peaceful space.

And answers to Saul.

But it knows
it knows none of it.

And it blurs
by the feed.

It prefers
all the gentler things
and cyclically bleeds.

And it bleeds
flowing streams of words
through the silence of night.

Softest page
of her inner thigh.

She asks
“What would you write?”

I would write
of a burning book.

How each thought stood alone.

How the words had formed families
sheltered from the unknown.

How the unknown would come again
for the words could not hide
truths and meanings
they held within
when the pen
took no sides.

And the pen
could be fingertips

softest tongue
against flesh

little toes
against calves
and necks

behind ear
with soft breaths.

And the writing
became the walls
and proposed new design

until silence took charge again
and disposed
of the mind.

How she laughed
when I told her that.

How she smiled
and she stirred.

How the room
took a different light.

How the lights
beamed and blurred.

All the lights
of the city gleamed
as if all burned at once.

All the thoughts
gently laid to rest-
the bequest of new Suns.

And the books
that would hold these thoughts
were the Suns that now burned
in small rooms that were
just like this
where we basked
and took turns.

And the spotlights
that shine on me
navigate every touch.

I am moved
to the darkest space
where small stanzas erupt.

And eruptions
they blind and quake
when too close
to the site.

As if thighs
were parentheses
holding silence
in light.

-Saul Williams

[Flash 9 is required to listen to audio.] Innocence
Saul Williams
Volcanic Sunlight

Reblogged from rexilla

rexilla:

Saul Williams - Innocence

Let’s make this day complete
I rose to find the setting sun is stone beneath my feet
And as I step beyond that stone and it stayed in its place
I felt a new warmth taking shape from deep in hidden space
I do not breathe the same
My chest is a cathedral
My ribcage frames stained glass
The story on each panel says new suns are rising fast
And my means have more precision
And I’m channeling an alchemy that smells just like it tastes
And the depths that I am reaching are the heights that I foresee
And the people give to nature what was taken from the sea
And the children slowly gather, none of them have ever seen
None of them have dared imagine how their lives looked from a dream
There’s no other way around this, it’s internal buried deep
Beneath labyrinthine thought tunnels where the questions pile in heaps
Heaped upon that is a mystery
Heaped upon that is a plan
Heaped upon that the simplicity of a river through the land
And the cows around that river do not graze into the sea
They are inland bred and treasured through their own complicity
And the answers are apparent difference is all the same
I’m a whale of deepest regions where the ocean floor’s aflame
And the source of this great fire is internal buried deep
Where the blood of stars configure in volcanic memory
And they push beyond the surface
And they push upward and out
From the depths of our great sorrows
To the pucker of a mouth
Kiss kiss kiss another century
Kiss kiss kiss another year
Kiss kiss kiss another species
Kiss kiss kiss to disappear
And we kiss to cross a threshold to our present state of mind
Where our feelings fry from memories that rest behind the eye
And our dreams are deep polluted by such tragedies of wealth
And the fish forget they’re swimming and their fins morph into tails
And the truth like evolution is evolving as it fails
To keep up with the demands of this modern space and sea
And the skyline of this city are the whales we used to be
And I feel these kids around me as I’m perched on sandy shore
And their touching me and asking me if I’d like some water or
If I’m already dead
So I open up my eye and I’m staring through an arid wind
At the white whales in the sky
And I notice how they’re floating
And I wonder if they see
Distant cousins in the world beneath
Where skies are buried deep

Reblogged from bitchimbabychowo

bitchimbabychowo:

“Come away little lamb 
Come away to the water
To the arms that are waiting only for you
Come away little lamb come away to the slaughter
To the one appointed to see this through 
We are calling for you.”


Reblogged from itsa-brand-new-day

safe & sound <3 .. hungergames

(Source: itsa-brand-new-day)

movement-and-yoga:

respect

(via babybritainx)

Reblogged from movement-and-yoga

movement-and-yoga:

respect

(via babybritainx)

wowfunniestposts:

Welcome to my bio lab
 this blog is hilarious

Reblogged from yougonnamissthegirl

wowfunniestposts:

Welcome to my bio lab

this blog is hilarious

(Source: )

hoodoothatvoodoo:

Belamie Illustration


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Reblogged from sheisfireflying

hoodoothatvoodoo:

Belamie Illustration

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